By Drew Tucker
Designed for video-production execs, ultimate reduce Server units the normal for intuitive media asset administration, making it effortless to control huge collections of media records successfully. during this Apple-authorized reference advisor, procedure integrator Drew Tucker takes you on a entire journey of the software program, protecting every thing from instruments for monitoring, reviewing, and approving jobs to automating advanced sequences of initiatives in a hectic submit setting. alongside the best way, Tucker stocks crucial workflows that may shave hours out of your post-production jobs. You’ll research innovations for looking out, cataloging, and discovering the correct asset fast, in addition to the way to deal with huge amounts of real-time HD video, audio, and nonetheless photograph resources in a fast paced construction setting. directors will discover a complete evaluate of ways to establish and configure this strong collaboration software, how one can customise it to serve person websites, and the way to automate workflows and deal with garage destinations, clients, and teams. The consultant presents complete assurance of the hot positive factors in ultimate reduce Server 1.5 together with a strong edit proxy workflow, help for nonetheless sequences and construction hierarchies. DVD-ROM contains lesson and media files Focused classes take you step-by-step via real-world projects Accessible writing sort places professional teachers at your side Ample illustrations assist you grasp thoughts fast Lesson pursuits and time estimates assist you plan your time Chapter assessment questions summarize what you’ve realized and assist you arrange for the Apple professional certification examination
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Extra info for Apple Pro Training Series: Final Cut Server 1.5
Setting the Add Only Scan value to a short interval will not have a significant impact on performance. NOTE Ǡ Transcode settings in Final Cut Server define what kinds of formats and codecs you’d want to convert files into when you place them on this device. You can also use the transcode settings to specify the format in which files are uploaded and downloaded. NOTE Ǡ Preparing Final Cut Server 11 You won’t be publishing any media to this new device using Final Cut Server, so you can leave the default transcode settings as No Conversion.
8 With the Asset metadata group selected, leave the Category as Other. Category is an example of a lookup. An administrator may customize this list to fit your workflow. 9 For Description, type Flyover of Glacier Island. Press Control-Tab to advance to the next field. 10 For Keywords, type Aerial Sea Trees Glaciers Snow. Press Control-Tab to advance to the next field. Using the Upload Files Command 11 Enter your name as the Owner. 12 From the Status lookup, choose New. 13 Finally, click Upload to start the process of uploading the file to Final Cut Server.
Once a metadata set is applied to an asset, the chosen set cannot be changed. The metadata entered into the fields can be altered, but not the choice of which metadata fields/groups are used. NOTE Ǡ Using the Upload Files Command Manually Adding Assets Uploading is a manual process. Whether you are uploading one asset at a time or a batch of files at once, you must initiate the process. The upload method is used for three reasons: Ǡ To copy newly created files from your computer to a device that is connected to Final Cut Server or to reference newly created files that are already on a device Ǡ To create assets for the files, which will automatically generate other representations, including clip proxies for video files Ǡ To have an opportunity to customize the metadata for the assets that will be created for the files You can use two methods for uploading files: Ǡ Choose Upload File from the Server pop-up menu.