By Stephanie Smith, Victor Margolin
The booklet explores the ways in which this layout procedure is being used-and occasionally deliberately misused-by an rising crew of artists who mix clean aesthetic sensibilities with constructively severe ways to the construction, dissemination, and exhibit in their artwork. Lavishly illustrated, the ebook additionally contains texts via and interviews with person artists, in addition to massive essays by way of exhibition curator Stephanie Smith and layout historian Victor Margolin. What effects is a bracing quantity that might be of curiosity to practitioners and aficionados of layout and artwork alike, in addition to to environmentalists.
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Extra info for Beyond Green: Toward a Sustainable Art
Right now, it’s not as durable as it could be. SS: I’m also interested in your use of marketing strategies for these underground, even illicit projects. For instance you have a “brand” logo for the whole Intermod Series, and each individual project has its own slightly retro-feeling logo that you’ve transformed into stamps, stickers, and at least one poster. Sometimes you’ve incorporated these materials into mailers that you send out anonymously; they’re like small multiples but also spread the word about the projects to those who can’t experience the piece in action.
5) LEARNING GROUP Learning Group members 62 63 Brett Bloom, Julio Castro, Rikke Luther, and Cecilia Wendt have been working together since 2004. Through their collaborative art projects, they develop strategies for putting common materials to creative new uses that address problems within the built environment. These projects model inexpensive, concrete, and sometimes playful ways that people anywhere can employ renewable or waste materials to improve the quality of their lives. They devise methods to gather and use these materials, making drawings, models, posters, and sculptural structures to test their ideas and share their processes and designs with others.
SS: Collecting System has so far been put into practice in several locations. Could you talk about how it’s been implemented in Japan and Mexico? RL: In Japan, unused materials produced by households are state property or private property but managed by the municipalities. In addition, pirate companies are collecting them. As a consequence it is difficult to get access to unused materials. We set up another collecting system for getting material for the experiments, and flyers were distributed that informed about the work that the materials gathered through Collecting System would be a part of.